Set on the island of Okinawa today and during World War II, this deeply moving and evocative novel tells the entwined stories of two teenage girls-an American and an Okinawan-whose lives are connected across 70 years by the shared experience of both profound loss and renewal.
Luz, a contemporary U.S. Air Force brat, lives with her no-nonsense sergeant mother at Kadena Air Base. Luz's older sister, her best friend and emotional center, has died in the Afghan war. Unmoored by her death, unable to lean on her mother, Luz contemplates taking her own life. In l945, Tamiko has lost everyone-the older sister she idolized and her entire family-and finds herself trapped between the occupying Japanese and the invading Americans whom she has been taught are demons that live to rape. On an island where the spirits of the dead are part of life and the afterworld reunites you with your family, suicide offers Tamiko the promise of peace. As Luz tracks down the story of her own Okinawan grandmother, she discovers that the ancestral spirits work as readily to save her as they do to help Tamiko find a resting place. And as these two stories unfold and intertwine, we see how war and American occupation have shaped and reshaped the lives of Okinawans.
In the eleven kaleidoscopic stories that make up Bright Shards of Someplace Else, Monica McFawn traces the combustive, hilarious, and profound effects that occur when people misread the minds of others. The characters--an array of artists, scientists, songwriters, nannies, horse trainers, and poets--often try to pin down another's point of view, only to find that their own worldview is far from fixed. The characters in McFawn's stories long for and fear the encroachment of others. A young boy reduces his nanny's phone bill with a call, then convinces her he can solve her other problems. A man who works at a butterfly-release business becomes dangerously obsessed with solving a famous mathematical proof. A poetry professor finds himself entangled in the investigation of a murdered student. In the final story, an aging lyricist reconnects with a renowned singer to write an album in the Appalachian Mountains, only to be interrupted by the appearance of his drug-addicted son and a mythical story of recovery. By turns exuberant and philosophically adroit, Bright Shards of Someplace Else reminds us of both the limits of empathy and its absolute necessity. Our misreadings of others may be unavoidable, but they themselves can be things of beauty, charm, and connection.
After a number of highly acclaimed New York Times bestsellers, including the Delirium trilogy and the standalone novels Before I Fall and Panic, Lauren Oliver returns with a spellbinding tale that confirms her place as one of our finest storytellers. Fueled by the same inspired feel for plot and character that drew readers to Oliver's earlier works, Rooms is a mesmerizing and suspenseful story of guilt, love, and family secrets.
Estranged patriarch Richard Walker has died, leaving behind a country house full of rooms packed with the detritus of a lifetime. His alienated family--bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna--have arrived for their inheritance. But the Walkers are not alone. Alice and Sandra, two long-dead and restless ghosts, linger within the house's claustrophobic walls, bound eternally to its physical structure. Jostling for space and memory, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself--in the hiss of the radiator, a creak in the stairs, the dimming of a lightbulb. The living and dead are haunted by painful truths that surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide--with cataclysmic results. Elegantly constructed and brilliantly paced, Rooms is an enticing and imaginative ghost story and a searing family drama that is as haunting as it is resonant.
An audacious, darkly glittering novel set in the eerie days of civilization's collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of King Lear . Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur's chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them. Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten's arm is a line from Star Trek: "Because survival is insufficient." But when they arrive in St. Deborah by the Water, they encounter a violent prophet who digs graves for anyone who dares to leave. Spanning decades, moving back and forth in time, and vividly depicting life before and after the pandemic, this suspenseful, elegiac novel is rife with beauty. As Arthur falls in and out of love, as Jeevan watches the newscasters say their final good-byes, and as Kirsten finds herself caught in the crosshairs of the prophet, we see the strange twists of fate that connect them all.
Nothing is simple for the men and women in Donald Antrim's stories. As they do the things we all do--bum a cigarette at a party, stroll with a girlfriend down Madison Avenue, take a kid to the zoo--they're confronted with their own uncooperative selves. These artists, writers, lawyers, teachers, and actors make fools of themselves, spiral out of control, have delusions of grandeur, despair, and find it hard to imagine a future. They talk, they listen, they hope, they dream. They look for communion in a city, both beautiful and menacing, which can promise so much and yield so little. But they are hungry for life. They want to love and be loved. These stories, all published in The New Yorker over the last fifteen years, make it clear that Antrim is one of America's most important writers.
Gretta Pope wakes one morning to discover that her husband is gone. Ulysses Pope has left his family behind on the far edge of Minnesota's western prairie with only the briefest of notes and no explanation for why he left or where he's headed. It doesn't take long for Gretta's young sons, Eli and Danny, to set off after him, following the scant clues they can find, jumping trains to get where they need to go, and ending up in the rugged badlands of Montana. Gretta has no choice but to search for her sons and her husband, leading her to the doorstep of a woman who seems intent on making Ulysses her own. Meanwhile, the boys find that the closer they come to Ulysses' trail, the greater the perils that confront them, until each is faced with a choice about whom he will defend, and who he will become. Enger's breathtaking portrait of the vast plains landscape is matched by the rich expanse of his characters' emotional terrain, as pivotal historical events--the bloody turmoil of expansionism, the near total demise of the bison herds, and the subjugation of the Plains Indians--blend seamlessly with the intimate story of a family's sacrifice and devotion.
It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa -- a large, silent house now bereft of brothers, husband, and even servants -- life is about to be transformed as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers. With the arrival of Lilian and Leonard Barber, a modern young couple of the "clerk class," the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances's life -- or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be.
An epic, irreverent testimony to the bonds of love, the pull of hope, and the power of making peace with life's uncertainties.
Celebrated brain surgeon Thomas Eapen has been sitting on his porch, talking to dead relatives. At least that is the story his wife, Kamala, prone to exaggeration, tells their daughter, Amina, a photographer living in Seattle. Reluctantly Amina returns home and finds a situation that is far more complicated than her mother let on, with roots in a trip the family, including Amina's rebellious brother Akhil, took to India twenty years earlier. Confronted by Thomas's unwillingness to explain himself, strange looks from the hospital staff, and a series of puzzling items buried in her mother's garden, Amina soon realizes that the only way she can help her father is by coming to terms with her family's painful past. In doing so, she must reckon with the ghosts that haunt all of the Eapens.
In a desperate bid to escape the trenches of the Eastern front, Peter Faber, an ordinary German soldier, marries Katharina Spinell, a woman he has never met, in a marriage of convenience that promises 'honeymoon' leave for him and a pension for her should he die in the war. With ten days' leave secured, Peter visits his new wife in Berlin, and both are surprised by the passion that develops between them. When Peter returns to the horror of the front, it is only the dream of Katharina that sustains him as he approaches Stalingrad. Back in Berlin, Katharina, goaded on by her desperate and delusional parents, ruthlessly works her way into Nazi high society, wedding herself, her young husband, and her unborn child to the regime. But when the tide of war turns and Berlin falls, Peter and Katharina find their simple dream of family cast in tragic light and increasingly hard to hold on to.
Born in 1941, Eileen Tumulty is raised by her Irish immigrant parents in Woodside, Queens, in an apartment where the mood swings between heartbreak and hilarity, depending on whether guests are over and how much alcohol has been consumed. Eileen can't help but dream of a calmer life, in a better neighborhood. When Eileen meets Ed Leary, a scientist whose bearing is nothing like those of the men she grew up with, she thinks she's found the perfect partner to deliver her to the cosmopolitan world she longs to inhabit. They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future.
Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a powerfully affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away.
Wally Baker is no ordinary girl. Living in her grandparents' Brooklyn Heights brownstone, she doesn't like dresses, needlepoint, or manners. Her love of Wonder Woman comics and ants makes her feel like a misfit--especially in the shadow of her dazzling but unstable mother, Stella. Acclaimed author Elizabeth Gaffney's irresistible novel captures postwar Brooklyn through Wally's eyes, opening on V-J day, as she grows up with the rest of America. Reeling from her own unexpected wartime tragedy and navigating an increasingly fraught landscape, Wally is forced to confront painful truths about the world--its sorrows, its prejudices, its conflicts, its limitations. But Wally also finds hope and strength in the unlikeliest places. With an unforgettable cast of characters, including the increasingly distant and distracted Stella; Loretta, the family's black maid and Wally's second mother; Ham, Loretta's son, who shares Wally's enthusiasm for ants and exploration; Rudy, Wally's father, a naval officer, away serving in the Pacific; and Mr. Niederman, the family's boarder, who never seems to answer Wally's questions--and who she suspects may have something to hide.