Walter Mosley's indelible detective Easy Rawlins is back, with a new detective agency and a new mystery to solve.
Picking up where his last adventures in Rose Gold left off in L.A. in the late 1960s, Ezekiel "Easy" Rawlins finds his life in transition. He's ready--finally--to propose to his girlfriend, Bonnie Shay, and start a life together. And he's taken the money he got from the Rose Gold case and, together with two partners, Saul Lynx and Tinsford "Whisper" Natly, has started a new detective agency. But, inevitably, a case gets in the way: Easy's friend Mouse introduces him to Rufus Tyler, a very old man everyone calls Charcoal Joe. Joe's friend's son, Seymour (young, bright, top of his class in physics at Stanford), has been arrested and charged with the murder of a white man from Redondo Beach. Joe tells Easy he will pay and pay well to see this young man exonerated, but seeing as how Seymour literally was found standing over the man's dead body at his cabin home, and considering the racially charged motives seemingly behind the murder, that might prove to be a tall order. Between his new company, a heart that should be broken but is not, a whole raft of new bad guys on his tail, and a bad odor that surrounds Charcoal Joe, Easy has his hands full, his horizons askew, and his life in shambles around his feet.
Set against the turbulent backdrop of American Vaudeville, four sisters embark on an unexpected adventure--and a last-ditch effort to save their family. In 1919, the Turner sisters and their parents are barely scraping by. Their father is a low-paid boot-stitcher in Johnson City, New York, and the family is always one paycheck away from eviction. When their father's hand is crushed and he can no longer work, their irrepressible mother decides that the vaudeville stage is their best--and only--chance for survival. Traveling by train from town to town, teenagers Gert, Winnie, and Kit, and recent widow Nell soon find a new kind of freedom in the company of performers who are as diverse as their acts. There is a seamier side to the business, however, and the young women face dangers and turns of fate they never could have anticipated. Heartwarming and surprising, The Tumbling Turner Sisters is ultimately a story of awakening--to unexpected possibilities, to love and heartbreak, and to the dawn of a new American era.
In Jane Haseldine's gripping and brilliantly crafted debut, a reporter searching for her kidnapped son must untangle the connection to her brother's long-ago disappearance.
Julia Gooden remembers nothing about the worst night of her life. Thirty years ago, her nine-year-old brother Ben--the person who promised he would always protect her--was abducted from the room they shared. Try as she might to recall any clue or detail, there is a black hole where Julia's memories of that terrible event should be. Now a crime reporter at a Detroit newspaper, Julia tries to give others the closure she's never found. But guilt and grief over Ben's disappearance have left her fearful that whoever took her brother is going to come back. Nowhere seems safe--not the city, not the suburbs, not even the secluded lake town where she plans to raise her children. And then, on the anniversary of Ben's disappearance, Julia's worst fears are realized when her two-year-old son, Will, is snatched from his bed. Convinced that the crimes are related, Julia tries to piece together memories from her final day with Ben. Are the sudden reminders of her brother clues that will lead her to her son's abductor, or merely coincidence? Julia knows she has hours at best to find Will alive, but the deeper she digs, the more personal and terrifying the battle becomes, and an undying promise may be her only hope of saving herself and her son.
Dr. Georgia Young's wonderful life--great friends, family, and successful career--aren't enough to keep her from feeling stuck and restless. When she decides to make some major changes in her life, including quitting her job as an optometrist and moving house, she finds herself on a wild journey that may or may not include a second chance at love. Georgia's bravery reminds us that it's never too late to become the person you want to be, and that taking chances, with your life and your heart, are always worthwhile.
It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined--professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society.
When you sit down with Lily and the Octopus, you will be taken on an unforgettable ride. The magic of this novel is in the read, and we don't want to spoil it by giving away too many details. We can tell you that this is a story about that special someone: the one you trust, the one you can't live without. For Ted Flask, that someone special is his aging companion Lily, who happens to be a dog. Lily and the Octopus reminds us how it feels to love fiercely, how difficult it can be to let go, and how the fight for those we love is the greatest fight of all. Remember the last book you told someone they had to read? Lily and the Octopus is the next one.
Pulitzer Prize winner and American master Anne Tyler brings us an inspired, witty and irresistible contemporary take on one of Shakespeare's most beloved comedies.
Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister Bunny? Plus, she's always in trouble at work - her pre-school charges adore her, but their parents don't always appreciate her unusual opinions and forthright manner. Dr. Battista has other problems. After years out in the academic wilderness, he is on the verge of a breakthrough. His research could help millions. There's only one problem: his brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, all would be lost. When Dr. Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he's relying - as usual - on Kate to help him. Kate is furious: this time he's really asking too much. But will she be able to resist the two men's touchingly ludicrous campaign to bring her around?
From Annie Proulx--the Pulitzer Prize- and National Book Award-winning author of The Shipping News and Brokeback Mountain, comes her masterwork: an epic, dazzling, violent, magnificently dramatic novel about the taking down of the world's forests.
In the late seventeenth century two penniless young Frenchmen, René Sel and Charles Duquet, arrive in New France. Bound to a feudal lord, a " seigneur ," for three years in exchange for land, they become wood-cutters--barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi'kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years--their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions--the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.
Would you live your life differently if you were given a second chance? Hannah, David, Connie, and Linda--four terminally ill patients--have been selected for the SUBlife pilot program, which will grant them brand-new, genetically perfect bodies that are exact copies of their former selves--without a single imperfection. Blemishes, scars, freckles, and wrinkles have all disappeared, their fingerprints are different, their vision is impeccable, and most importantly, their illnesses have been cured. But the fresh start they've been given is anything but perfect. Without their old bodies, their new physical identities have been lost. Hannah, an artistic prodigy, has to relearn how to hold a brush; David, a Congressman, grapples with his old habits; Connie, an actress whose stunning looks are restored after a protracted illness, tries to navigate an industry obsessed with physical beauty; and Linda, who spent eight years paralyzed after a car accident, now struggles to reconnect with a family that seems to have built a new life without her. As each tries to re-enter their previous lives and relationships they are faced with the question: how much of your identity rests not just in your mind, but in your heart, your body?