In the seventh installment of the Hanne Wilhelmsen series, the brilliant female detective must untangle the complex and bitter history of one of Oslo's wealthiest families after a celebratory get together at their home ends in a multi-victim homicide. Shortly before Christmas, four people are found shot dead at the home of the Stahlbergs, a wealthy family of shipping merchants notorious for their miserliness and infighting. Three of the victims are members of the family, and the fourth is an outsider, seemingly out of place. Cake had been set out in the living room and a bottle of champagne had been opened but not yet poured. Yes, family gatherings during the holidays can be difficult, but why did this one become a bloodbath? As Hanne Wilhelmsen investigates the case alongside her longtime police partner, Billy T., motives for the murders emerge in abundance; each surviving member of the Stahlberg family had good reason to want the victims dead. As she searches for the killer, Hanne will once again risk everything to find out the truth. But this time, will she go too far?
A prominent figure in the entertainment world who has turned to fiction in the last decade, Kevin Morris received wide literary acclaim with his story collection White Man's Problems, praised by David Carr as "remarkable" and Tom Perrotta as "revelatory." Now Morris cements his place as a bold new voice in American literature with his muscular debut novel, All Joe Knight.
1961. Outside Philadelphia, a soon-to-be father runs into a telephone pole while driving drunk; nine months later, his widow dies in a smashed up T-Bird. From the start, the orphaned Joe Knight is a blank slate. Taken in by a kindly aunt in a tough-skinned suburb, Joe finds his family in high school with the Fallcrest basketball team--the kind of team that comes around once in a lifetime. White guys, black guys, speed, height, raw athleticism, every element is perfectly in synch. All these kids want, all they dream of, is to make it to the Palestra, UPenn's cathedral of college basketball. Fast-forward thirty years. Joe is newly divorced with one kid and certain he is unfit for love. Ever since selling the ad firm he built from the ground up for millions, he's had time on his hands, and now he wiles it away in strip clubs, the only place where he can quiet his mind. But then he hears from Chris Scully, a former Fallcrest teammate who is now District Attorney. It seems the Justice Department is sniffing around the deal that got Joe rich years ago--a deal he cut everymember of the basketball team into, except for Scully. As the details about Joe's possible transgression are unreeled, he is forced to face the emptiness inside himself and a secret that has haunted him for decades.
A whip-smart and deliciously funny debut novel about Kate, a young woman unexpectedly thrust into the cutthroat world of New York City private school admissions as she attempts to understand city life, human nature, and falling in love.
Despite her innate ambition and Summa Cum Laude smarts, Kate Pearson has turned into a major slacker. After being unceremoniously dumped by her handsome, French "almost fiancé," she abandons her grad school plans and instead spends her days lolling on the couch, watching reruns of Sex and the City, and leaving her apartment only when a dog-walking gig demands it. Her friends don't know what to do other than pass tissues and hope for a comeback, while her practical sister, Angela, pushes every remedy she can think of, from trapeze class to therapy to job interviews. Miraculously, and for reasons no one (least of all Kate) understands, she manages to land a job in the admissions department at the prestigious Hudson Day School. In her new position, Kate learns there's no time for self-pity or nonsense during the height of the admissions season, or what her colleagues refer to as "the dark time." As the process revs up, Kate meets smart kids who are unlikable, likeable kids who aren't very smart, and Park Avenue parents who refuse to take no for an answer. Meanwhile, Kate's sister and her closest friends find themselves keeping secrets, hiding boyfriends, dropping bombshells, and fighting each other on how to keep Kate on her feet. On top of it all, her cranky, oddly charming, and irritatingly handsome downstairs neighbor is more than he seems. Through every dishy, page-turning twist, it seems that one person's happiness leads to another's misfortune, and suddenly everyone, including Kate, is looking for a way to turn rejection on its head, using any means necessary--including the truly unexpected.
When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era's richest and most powerful men. But as paranoia consumed a country at war, Mata Hari's lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari's voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.
Nine men. Each of them at a different stage in life, each of them away from home, and each of them striving--in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel--to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.
Tall, trusted Tandy Caide, CPA, is a long-time patron of the arts in her town, which is why you will find her sitting in the front row of the high school's annual musical production. This year is an Annie year--and it would be no different than other years were it not for the high school's hiring of a new vocational agriculture (Vo-Ag) teacher. With his beguiling ponytail and decorative beaded belt, Kenny catches Tandy's eye immediately. Ignoring the fact of her slovenly husband--who takes most of his meals in their hot tub--Tandy decides to entertain Kenny's advances. Trusted community pillar that she is, Tandy's affair has instant repercussions. People are talking and her husband's subsequent breakdown and check-in to a mental institution doesn't help. At her regular meeting with the Order of the Pessimists--comprised of her deceased father's disgruntled and drunken best friends--she is asked to step down as treasurer. Not only that, but her old lover is keeping a secret somehow connected to the Vo-Ag teacher. And meth labs--fueled by the abundance of fertilizer present in the region--keep blowing up. Somehow, it is all connected to Tandy's ex-bestfriend's daughter--the star of this year's Annie. As Tandy pieces together the puzzle that has become her life, it becomes clear she must embark on a journey of self-discovery that might even include leaving town for good.
From the bestselling author of Schindler's List and The Daughters of Mars, a new historical novel set on the remote island of Saint Helena about the remarkable friendship between a young woman and one of history's most intriguing figures, Napoleon Bonaparte, during the final years of his life in exile.
In October 1815, after losing the Battle of Waterloo, Napoleon Bonaparte was banished to the island of Saint Helena. There, in one of the most remote places on earth, he lived out the final six years of his life. On this lonely island with no chance of escape, he found an unexpected ally: a spirited British girl named Betsy Balcombe who lived on the island with her family. While Napoleon waited for his own accommodations to be built, the Balcombe family played host to the infamous exile, a decision that would have devastating consequences for them all. In Napoleon's Last Island , "master of character development and period detail" ( Kirkus Reviews ) Thomas Keneally recreates Betsy's powerful and complex friendship with the man dubbed The Great Ogre, her enmities and alliances with his remaining courtiers, and her dramatic coming-of-age. Bringing a shadowy period of history to life with a brilliant attention to detail, Keneally tells the untold story of one of Europe's most enigmatic, charismatic, and important figures, and the ordinary British family who dared to forge a connection with him.
Two brown girls dream of being dancers--but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey--the same twists, the same shakes--and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time.